The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate. The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer.
Fender Guitar Pages, Serial#, SN’s, Serial Numbers, History, Strat, Tele
The combination of a quad of ceramic 10″ CTS speakers and forty watts of pure Fender Blackface clean tone produces one of the best combo amps of all time. Perfect for gigging situations and an ideal recording amplifier, the amp provides you with plenty of pristine Fender cleans until you hit the range on the volume dial, where a bit of tube and speaker breakup send the amp into smooth overdrive.
The reverb is lush and deep, and the tremolo has a nice pulse, with everything from swampy and slow to machine gun fast tremolo. The circuit is untouched save for one new pot for the tremolo speed control.
Fender 65 Super Reverb This faithful recreation of the legendary Blackface™ Super Reverb® of is a must-have for vintage enthusiasts and Stratocaster® guitar slingers, but players of all styles enjoy its shimmering tone.
This resulted in the so-called lawsuit period. During this period, Ibanez produced guitars under the Mann name to avoid authorities in the United States and Canada. The company has produced its own guitar designs ever since. The late s and early s were an important period for the Ibanez brand. Most Ibanez guitars were made by the FujiGen guitar factory in Japan up until the mid- to late s, and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China, and Indonesia.
Cimar and Starfield were guitar and bass brands owned by Hoshino Gakki. In the s, Hoshino Gakki and Kanda Shokai shared some guitar designs, and so some Ibanez and Greco guitars have the same features. The Greco versions were sold in Japan and the Ibanez versions were sold outside Japan. From , Ibanez guitars have also been sold in Japan as well. In September , Elger was renamed “Hoshino U. Hoshino settled out of court in early and the case was officially closed on February 2, Hoshino was producing their original Artist models from , introducing a set-neck model in In , they upgraded and extended their Artist range and introduced a number of other top-quality original designs made to match or surpass famous American brands: Sub-brands[ edit ] Ibanez J.
10 Classic Guitar Amps & The Songs That Made Them Famous
Tips and How-To’s So you need to figure out the year of production for your Fender guitar or bass. Fenders rank as the most frequently bought and sold instruments on Reverb, and finding a precise date of manufacture can be key to determining the value and specifics of an instrument. The most important thing to keep in mind when dating a Fender is the highly modular nature of the designs. Like Henry Ford, part of Leo Fender’s genius was in optimizing the company’s production efficiency.
Not all distributors or resellers are alike! Many offer various other brands besides ClassicTone. Beware of these substitutes! These may be substandard products that are not true replacements, use inferior construction methods and materials and lack the great features and pricing of .
The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code.
In 3 digit dates code, the 1st digit is the last digit of the year. On 4 digits date codes, the 1st and 2nd digits are the last two digits of the year.
Vintage Fender Super Reverb Tube Guitar Combo Amp
The ” ” in the model name comes from the circuit change date of I will try my best to give a not-too-technical explanation of how the amp circuit works, what each component does, and how changing those components will affect the amp’s voice. The “blackface” nickname comes from the control panel color. I won’t be going over tube theory and other introductory material here so check it out if you have trouble understanding this webpage.
Model Name: Model: Power: Output: Choke: Reverb: Bandmaster: 6G7A: C1A * AA P7D: A6A: C1A * AC P7D: A6A: C1A * Bandmaster.
The Peavey Classic 30 is a popular workhorse tube amplifier, known for its versatile tones that can handle anything from ballad, to pop and hard rock. But many have discovered that it shines really nice when used for blues music. And more importantly, the blues tones are easily accessible by simply tweaking the settings! With some adjustments, you will find that the Classic 30 has a clean tone that breaks really well, and it has a raw and transparent overdrive that works great for blues riffs and leads.
This configuration gives it its a vintage vibe that matches its classic looking exterior. The amp comes with a clean and lead channel, and has essential EQ controls for bass, middle and treble. The lead channel offers a Pre and Post Gain knob which gives you a variety of overdriven tones. It also offers a wealth of added features including reverb and boost. Last but not the least, the amp can easily accommodate your favorite pedals with its built-in effects loop.
Many bedroom blues wailers and weekend warriors agree that this is a great versatile amp for soulful and tasteful guitar playing.
Fender 68 Princeton Reverb Manuals
Thanked 0 Times in 0 Posts Rep Power I wrote a big, honking post about selection of amp tubes yesterday and as I was finishing it, the power transformer up on the pole in the back yard blew out, leaving me with neither lights nor the post. Here’s the abbreviated version: Yes, tubes can make a big difference in how your amp sounds. New power tubes usually require re-biasing the circuit on older amps, and the replacement of electrolytic capacitors, which can and do fail catastrophically after as little as ten years, also should be performed.
Fender amps have graced stages all over the world. Carter Vintage has Tweed, Blonde, Blackface and modern Fender amp in stock.
Nothin’ says lovin’ like somethin’ from the oven. Contributor Joe Evelius meticulously transferred each magical memory in this delightful montage from his giant stash of old-time commercials. Joe even matched stylus size to each disk, but he admits that some of the older vinyl was just plain grungy. Many of these sounds are embedded in baby-boomer media culture. You’ll hear some of the greatest advertising campaigns for Pontiac, Plymouth, Cadillac, Oldsmobile, Ford and Chevrolet.
And, you could “fill ‘er up” with Shell, Amoco or Texaco gasoline for a couple of bucks. Perhaps a Miller High Life is your preference, if you can munch a bunch of Fritos. Chiquita Banana is here to say that you should eat bananas every single day! Cigarette commercials were among the best produced of the era, and Kool, Chesterfield, Camel and Lucky Strike are all fired up here. By the way, did you know there are 43 beans in every cup of Nescafe?
Dating your Fender by the serial number By Greg Gagliano
Its strength lies in the sweetness and early breakup caused by the smaller transformers than the Super Reverb, Vibroverb and Pro Reverb. Hence, less clean headroom. Like all silverface amps, the Vibrolux Reverb was modified in the CBS periods to increase the clean headroom.
Fender 65 super reverb service diagram manualslib, view and download fender 65 super reverb service diagram online fender 65 super reverb: specifications 65 super reverb amplifier pdf manual download also for: super.
Australia Was goofing off at work – well it was lunch time. Cruising the online for sale ads as I tend, just in case anything special comes up. Spotted a super clean looking Super Reverb, local to me. As if I needed another amp!! Arranged to look at it, brought cash in case I decided to buy I have been after a Super Reverb for more than 25 years!! So I bought it. Got it home yesterday. A quick look over again. Will have to look into that. It also has the original footswitch and an original looking soft cover, and its had castor wheels added.
Am very glad of that, its a monster.
Best Tubes for Super Twin Reverb
This makes it the perfect studio amp, as well. It’s a resurrection of a classic vintage tone monster, and its current iteration is used by many big-name bands, such as Flogging Molly, O. Crank up this faithful, U. Delivers 22W through a 12″ speaker. Features two channels normal, vibrato , all-tube circuitry, tube vibrato, tube spring reverb, Blackface cosmetics and two-button footswitch to control the reverb and vibrato effects. They do have PCBs Printed Circuit Boards , as opposed to the original’s “hand-wired” circuitry, but the components capacitors and resistors are the same values as amps from that period.
Fender Schematics (Circuit Diagrams) Fender Super Reverb AA Fender Super Reverb AB Fender Tremolux AB Fender Twin Amp 5F8 Fender Twin Amp 6G8 Fender Twin Reverb AA Fender Twin Reverb AA Fender Twin Reverb AC Fender Vibrolux AB Fender Vibrolux AB Return to the Schematic Archive.
Contains the following capacitors, used as main filters, bias filter, and preamp cathode bypass capacitors: Some Super Twin models without reverb will not use all of the cathode bypass capacitors provided. See the model cross reference for applicable models. Download the installation guidelines. Contains the following capacitors, used as main filters and preamp cathode bypass capacitors in the Fender blackface and silverface Vibro Champ and Bronco Amp Contains the following capacitors, used as main filters, decoupling filters, bias filters, low voltage filters and cathode bypass capacitors in the Fender 94 Twin Amp, Rev A-C.
The 94 Twin Amp is blackface, is “three channel” with a boost on the clean channel and high gain overdrive on channel two. Two input jacks, 14 knobs. Revisions A, B and C produced Contains the following capacitors, used as main filters, decoupling filters, bias filters, low voltage filters and cathode bypass capacitors in the Fender 94 Twin Amp, Rev D and Rev E. Revisions D and E produced
BF/SF Super Reverb
These models were Fender models and not Squier models. The stratocasters had Fender USA pickups installed and were made for the Japanese market only and not for export. The Squier series were also made available for the Japanese market in October , which incorporated small changes compared to the export Squier series. The large Fender logo of the export Squier series was soon changed to a large Squier logo.
Fender literally wrote the book on electric basses, laying the foundation for musical innovation and evolution. Learn more about Fender electric basses.
While guitarists in the early part of this century played country, folk or blues on acoustic guitars, in the ‘s, jazz musicians experimented with amplifying traditional hollow-body guitars so they could play with other instruments at the same sound level. One problem was that the speakers and pickups tended to generate feedback when played at a high level. In the ‘s, a California inventor named Leo Fender had made some custom guitars and amplifiers in his radio shop.
Eventually, Leo would create the world’s very first instrument amplifiers with built-in tone controls. More importantly, though, was Leo’s vision of better guitar. With his knowledge of existing technologies, he knew he could improve on contemporary amplified hollow-body instruments. Over the next two decades, Fender Musical Instruments experienced some tremendous growth.
But as time wore on, CBS’s lack of commitment and real understanding of music and musicians was becoming apparent. They had developed a five-year business plan based on the idea of increasing Fender’s presence in the marketplace by dramatically improving quality and making a significant commitment to research and development. This association continued until CBS decided to divest itself from the non-broadcast media business. So, in , a group of employees and investors led by William Schultz purchased the company from CBS.
This sale put Fender in the hands of a small group of musically dedicated people who have committed their lives to creating the world’s best guitars and amplifiers.
Vintage Amp Guide
Lightly built with scalloped braces and hot hide glue construction, with a slightly deeper body for extra low end. This is from the new limited run of Brazilian R9s from Gibson. The guitar has a great top and weight – it only weighs 8. This impressive guitar incorporates modern enhancements like an ABR-1 bridge with titanium saddles, and a hand-wired MTC control assembly paired to our MHS P pickups with hum-canceling capabilities.
Pro Reverb AA and AB; Super Reverb AA and AB; and Vibroverb AA and AB – Tube Packages First tube is preamp, is specified. A .
The combination of size, weight and performance makes the Deluxe Reverb a true road warrior on gigs and practise. Since the year we have observed, by monitoring the amp market on US ebay, that low wattage amps have increased dramatically in popularity. We find it irrational. The PA was invented long time before that and guitar tones containing fuzz and distortion have been around since the sixties-seventies.
Why has the desire for low wattage amps with watts of tube power come up so late? Many people consider the silverface amps just as sonically good as the blackface models. Being almost a blackface amp with a new faceplate wrong for collectors , the silverface models became popular value-for-the-money amps. The circuit was then significantly different from the blackface circuit. You will be able to shape your tone significantly with just the right speaker s and tubes. We usually start with explaining a mod from a functional perspective where we relate to components in the logical schematics diagram.
Finally we point out location of components in the physical layout diagram. The Linda Ronstadt amp, a mini-Vibroverb. It is a 71 silverface Deluxe Reverb that we bought from the Linda Ronstadt band. It came with a fantastic vintage flight case that had travelled around the world, 6L6 tubes, a GZ34 rectifier tube, a JBLd f speaker and had been totally AB blackfaced with new wiring, a professional cap job and all.